Posts filed under '1900-1920'
Candy Feeding Bags
Every once in a while I run into an old candy idea that seems ripe for revival. Who’s going to be the candy entrepreneur who brings back “Candy Feeding Bags,” last seen back in 1911?
This one-cent novelty had a lot going for it: convenience, portability, and flavor. You could choose pineapple, strawberry, peach, raspberry, lemon, chocolate, vanilla, or peppermint. The tube running into the bag is a licorice stick, about 8 inches long and 1/2 inch thick. The idea is that you bite the end off the licorice then suck the flavor powder up through the licorice straw:
The powder mixed with the flavor of the licorice produces a combination hard to beat. When the powder is all gone then you eat the tube. Can you beat it?
Sort of like a Fun Dip or Lik-A-Stick crossed with a Pixie Stick, mixed in with a licorice whip.
Of course, in 1911 most people would associate feeding bags with work horses or mules. There still weren’t many motor cars around, so horses pulling wagons would have been a common sight. And to keep those horses working all day long, they would have a bag of grain tied around their snouts for easy snacking.
So why not a feed bag filled with candy? I love the idea of kids running around with these things tied to their necks. Keeps the kiddies happy with their candy feed all day long. Can you beat it? I don’t think you can!
Candy Feeding Bag ad from International Confectioner, April 1911. Feed bag image from Cowboy Showcase.
6 comments March 17, 2010
Cascarets Candy Cathartic
“Just a spoonful of sugar helps the medicine go down…”
Mary Poppins had the right idea, of course. Who wouldn’t rather take their medicine candy-style? As it turns out, the relation between candy and medicine has quite a history. Today, I have for you the story of what I believe to be the first medicine in the U.S. to be marketed nationally as a candy: Cascarets Candy Cathartic.
Cascara, the ingredient suggested by “Cascarets,” is derived from the bitter tasting bark of a species of buckthorn tree native to North America. Cascara had been prescribed by druggists and physicians as a remedy for constipation and related ills as early as 1877. But it was not until 1894 that the Sterling Remedy Company came up with a candy version which would turn out to be a huge blockbuster.
Cascarets were made as brown octagonal tablets reputed to have a “pleasant taste–almost as pleasant as chocolate.” They were put up in rectangular tin boxes of six tablets designed to nestle easily in a vest pocket or small handbag. Cascarets quickly captured the nation. Sterling had offices in Chicago, Minneapolis and New York, facilitating a national distribution of their product. They backed their roll-out with a $500,000 advertising push and incentives to retail druggists. By 1899, Cascarets were selling 5,000,000 boxes per year, and were poised to become the top-selling proprietary medicine in the U.S. (source)
Cascara is a powerful drug with unambiguous effects. As the science staff at Memorial Sloan-Kettering Hospital explain, “Cascarosides increase intestinal motility and lead to propulsive contractions.” But around 1900, Americans didn’t just associate constipation with abdominal discomfort or gas or indigestion. Constipation for our great-grandparents was the root evil of just about every ailment and malaise you could think of. And for whatever was wrong with you, a laxative (or purgative or cathartic–the terms were used pretty interchangeably) would do the trick.
Cascarets Candy Cathartics were sold as the universal remedy:
When you have Heartburn, Colic, Coated Tongue, Suspected Breath, Acid-rising-in-throat, Gas-belching, or an incipient Cold, take a Cascaret. Remember, all these are not merely Discomforts, but indications of a serious Cause. …A coming Headache can be warded off in short order, by a single Cascaret, and the cause removed. Heartburn, Gas-belching, Acid-risings in the throat, and Colicky feeling are sure signs of bowel trouble from food poisons, and should be dealt with promptly. One Cascaret will stop the coming trouble, and move on the Bowel load, if taken at the first signs. ( 1905 ad)
Cascarets ads included every American as a potential customer: men and women, old and young. Even nursing infants would benefit it mama would take a Cascarets. But the real benefit in the new candy cathartic was the banishment of the old remedy: castor oil.
Doctors and mothers alike were desperate to find some way of avoiding the nightly struggle to force the nasty liquid down Junior’s screaming throat. Imagine the relief of American children when Cascarets took the place of the daily dose of castor oil. Here’s an ad for Cascarets from 1918 that pretty much tells the whole story:
We’ll let Jane and Michael Banks have the last word:
Never be cross or cruel, Never give us Castor oil, or gruel.
And with Cascarets, there would be Castor oil no more.
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1 comment March 15, 2010
Fruits, Candies, and Lydia Pinkham’s Vegetable Compound
Some time ago, when I was poking around in the dusty archives looking for candy cookbooks with recipes for vegetable candy, I came across a curious item: Fruits and Candies, a recipe booklet from the early 1900s. It was published as a promotion for Lydia E. Pinkham’s Vegetable Compound, a popular women’s “medicinal tonic” in the early 1900s consisting of various herbs and alcohol (18-20 percent, stronger than a big California Cabernet but about half as strong as Bacardi white rum).
This booklet features two sorts of entries: recipes for candies and sweet fruit desserts, and testimonials from ladies whose “female complaints” have been cured by a regular dosing with the Vegetable Compound. So one page offers a recipe for Maple Fondant, followed by a testimonial on the sorrows of childlessness and their alleviation with Lydia Pinkham’s. Another page gives instructions for Buttercups and Molasses Candy, and then a discursus on Painful Monthly Periods and the use of Vegetable Compound to alleviate them.
What struck me when I first saw this booklet was the complete strangeness of this juxtaposition. I filed this away under “hmmm.” Surely this odd combination must mean something, but what it meant I couldn’t yet fathom.
Now I think I have a much better idea. I have been reading about the “pure food” reformers of the late nineteenth and early twentieth century, and particularly the women’s groups that organized against alcohol, drug abuse, and tainted food. These are the grass roots activists whose efforts brought us both Prohibition (something of a catastrophe) and the U.S. Food and Drug Administration (the FDA–not perfect, but one of the better consumer protection success stories of our time).
One big worry of many reformers in that era was the “patent” medicines: tonics and concoctions made of who-knows-what, peddled in carts and storefronts and by mail, and often containing narcotics (morphine, laudenum, cocaine, alcohol) that led the unsuspecting user who was just looking for a little “pick-me-up” down the merry path of addiction and ruin. The abuse of what the reformers called “habit-forming poisons” was not the intentional and direct narcotic abuse of opium dens or seamy city streets. Customers for the patent formulas were fancy ladies looking for a boost after a night on the town, exhausted mothers just trying to cope, women considered “nervous” or “weak” who saw in the tonics a cure for the mysterious ailments of femininity.
So one thing the Fruits and Candies booklet tells us is that the “target market” for Lydia Pinkham’s Vegetable Compound was just those middle class women with the leisure and inclination to dabble in home confections. Somehow, these same women were the ones with numerous and sundry female complaints. And this is the interesting part, to me at least: the connection between middle class leisure, feminine complaint, and confectionery.
The reformers looked at Lidia Pinkham and the rest and saw addictive potions that would only make things worse. What these women needed was fresh air, good food, and exercise, not 20 percent alcohol “tonics.” One reformer in particular stands out: Ella Kellogg (1853-1920). Ella was the wife of Dr. John Harvey Kellogg (he who brought us corn flakes breakfast cereal), and like her husband she took a strong interest in the importance of good nutrition. Ella believed that it was just those dainty confections that were causing all that nervous female illness. For Ella Kellogg, it was poor nutrition that led to the complaints that caused women to seek relief in the tonics.
Lydia Pinkham’s Vegetable Compound and candy-making: to Ella Kellogg, the connection would have been quite clear. All that candy eating was making women sick, and sick women were turning to Lydia Pinkham’s Vegetable Compound. To the innocent eye, Fruits and Candies is just advertising packaged to appeal to women by including women’s recipes. To Ella Kellogg and her sisters-in-arms, Fruits and Candies was everything that was wrong with American women.
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More: You can browse a full digitized version of Fruits and Candies at Duke University Special Collections. For more on Ella Kellogg’s views of the relation between nutrition and the “patent” medicines so popular in the late nineteenth century, see Lorine Swainston Goodwin, The Pure Food, Drink, and Drug Crusaders, 1879-1914 (1999) (Sorry, this one is a paper book only, no link. Aren’t you glad we still have actual libraries? I am).
Image source: Vanderbilt Medical Center, via Wikipedia.
Add comment March 10, 2010
“Decayed Rocks Used in Candy”
As reported in the Philadelphia North American on November 30, 1908:
Grubbstown, Pennsylvania, Nov 29. The astounding discovery has been made here that impure and decayed rocks are being used in the manufacture of rock candy.
How long this violation of the law has been going on is not accurately known, but certainly the fraud is widespread and thousands of persons have been cheated, if not positively harmed, by the men who have been carrying on their wicked work.
Special Agent Horatio Acornley, who has been investigating the matter for several weeks, says he can produce positive proof that several large candy manufacturers have been buying rotten rock at a low price and using it most exclusively in making rock candy.
“Thosands of innocent children have thus been exposed to the poison,” said Mr. Acornley, “and I would not be surprised to learn that it is responsible for many cases of hardening of the heart which have been reported to us.”
“As every one knows, only the best quality of rocks should be used…and we propose to bring suits against the guilty wretches.”
“In this connection I may say that I am looking into several cases of using poor limestone in making lime drops.”
Candy Professor adds:
It was these sorts of stories that made V.L. Price, the Chairman of the N.C.A. Executive Committee in the early 1900s, positively crazy. He was charged with responding to press accounts of poisoned or adulterated candy. So when the North American published this satirical piece, he put pen to paper to patiently respond, no, there is no rock in “rock candy,” only good pure sugar, and of course there are no limestones in lime drops either.
Which pedantry seems excessive, were it not for the fact that some time later Price found the Minneapolis Tribune publishing an investigative report raising the alarm about the use of crushed rocks in rock candy and limestone in lime drops. Price remarked wryly:
Of course, in gay Philadelphia they all saw the joke as it appeared in the paper’s columns as a fake, but in staid old Minneapolis they all took it seriously.
Or at least Marion Harland, the author of the Minneapolis piece, took it seriously. Just goes to show, you can’t believe everything you read in the papers!
Source: V.L. Price, report to the National Confectioners Association Convention June 1909, as reported in Confectioners Journal July 1909 p. 73.
1 comment March 8, 2010
Hershey’s: Why a Kiss is Just a Kiss
Have you ever wondered why Hershey’s Kisses are called “kisses”? Here’s the official answer from Hershey’s Inc:
While it’s not known exactly how KISSES got their name, it is a popular theory that the candy was named for the sound or motion of the chocolate being deposited during the manufacturing process.
Well, as for the first part, that “it’s not exactly known,” I can’t dispute that. Hershey’s has been planting their chocolaty kisses on the collective lips of America since 1907. No one alive today was witness to that first chocolate blob, or the “eureka” moment when someone shouted “It’s a Kiss!”
But that part about the sound of the chocolate dropping onto the conveyor belt? I’m afraid I’m going to have to pop a big old hole in that bubble of a story.
The fact is, back in 1907 you had your choice of kisses. There were generic flavored kisses like Cocoanut Kisses, Molasses Kisses, Nut Kisses, simple candies that anyone might make. Then there were the fanciful brand name Kisses: Sun Bonnet Kisses (National Candy Co, Chicago); Miller’s Violet Kisses (George Miller & Son, Philadelphia); Blue Bell Kisses (Robt. F. Mackenzie Co, Cleveland), Honey Corn Kisses (Wm. J. Madden & Co NY); Nethersole Kisses, Moonlight Kisses (United States Candy Co, Cleveland); Elfin Kisses (Caldwell Sweet Co, Bangor Maine); Heckerman’s Lucky Kisses: 5 cent box “assorted selected flavors.” My personal favorite wasn’t around in 1907, but I’ll mention it anyway since we’re on the topic of Kisses. The Novelty Candy Company offered around 1915 a pack of three flavors, cinnamon, molasses, and vanilla called Tom, Dick and Harry Kisses, “the kiss you can’t afford to miss.”
So when Hershey’s came up with a little bite of chocolate, calling it a “chocolate kiss” was sort of obvious. A candy “kiss” was just another name for a small bite sized candy, typically something with a softer texture. There were lots of other names for small bite sized candy at the time: drops, buttons, blossoms, balls. There was nothing at all special in 1907 about the name “chocolate kiss.”
In fact, the rival chocolate company H. O. Wilbur and Sons was the one who had come up with a proprietary name for their own bite sized chocolate: Wilbur’s Chocolate Buds. Wilbur had taken the important step of trademarking the name “Bud” for its chocolate in 1906. 
But just as with today’s “xerox” and “kleenex,” the term “chocolate bud” was quickly coming to mean any sort of chocolate drop, and imitators were rushing in to sell their own “buds.” Things got so bad that Wilbur went to court to get an injunction against competitors trying to pass off their look-alike products as genuine Buds. Trade magazine advertisements warned dealers against accepting imitations and insisted: “there are no buds but Wilbur’s.” Ads taken out in popular magazines cautioned candy lovers to watch out for “counterfeits” and make sure their Buds were genuine Wilbur Buds.
When people talked about “chocolate buds” in the 1900s, its pretty clear that they are talking about Wilbur’s product or something very similar. A 1914 recipe for an ice cream sundae, for example, suggests sprinkle of “chocolate buds” on top. A 1911 publication suggesting ideas for money-making proposed that a woman going into the candy business might stock her store with “the finest chocolate buds, marshmallows, and different size cakes of the best milk chocolate.”
In contrast, the term “chocolate kisses” could mean just about anything small and chocolate flavored. In addition to references to candy, I found the term in late nineteenth and early twentieth century cook books to name different sorts of cookies. And in 1910 when the Pennsylvania Department of Agriculture examined 336 candy samples for purity and accurate labeling, 13 of those candies were described as “chocolate kisses,” a generic category. Only one of those candies was a “chocolate bud.”
This is why for 90 years Hershey’s was unable to trademark the term “Kiss” as a name they could use exclusively for their chocolate kisses. Until a the late 1990s, every trademark application for logos or wrapper images for “Hershey’s Chocolate Kisses” included a limitation: the term “kiss” was always excluded. The trademark examiners insisted that “kiss” was a general term for a sort of candy, and according to U.S. Trademark law, you can’t claim a trademark for a general term like “milk” or “tissue.”
Finally, in 2001, Hershey’s won the trademark after a prolonged legal battle (U.S. Registration 2,416,701). Henceforth, only one candy could call itself a “Kiss.” Hershey’s lawyers argued that, despite a long history of general usage, by the 1990s America was persuaded that a candy called “kiss” always meant Hershey’s Kiss, and they commissioned a huge survey to prove it. The judge sided with Hershey’s, and a kiss became a Kiss ™.
Which was first: the Hershey’s Kiss or the Wilbur Bud? Read about the candy copy cats in my previous post, “Kissing Cousins.”
Just for Fun: You can read the legal briefs filed for and against “Kiss” on the U.S. Patents and Trademarks website. From “Trademark Document Retrieval,” enter the registration number 2416701. Choose the document dated 24-Feb-2009 called “Unclassified.”
9 comments March 3, 2010
Kissing Cousins: the Hershey’s Kiss and the Wilbur Bud
Hershey’s Chocolate Kisses: do we need to say more? Everybody knows the Kiss. Hershey’s Kiss is certainly one of top contenders for “American Candy Idol.” But today, Candy Professor takes you back to a time when the Kiss was not the Kiss, back to a time when candy brands were still a new idea, and candy makers didn’t always know the best ways to profit from their candy innovations.
Hershey’s today is one of the major candy companies in the world, boasting annual sales in excess of $4 billion dollars. But around 1900, Hershey’s was one among many contenders for America’s top chocolate maker. The big business in chocolate at that time was not so much direct retail products, but selling various coatings and chocolate ingredients to candy makers large and small. Rivals like Stollwerck Brothers of New York and Chicago, H. O. Wilbur and Sons of Philadelphia, and Rockwood and Co.of Brooklyn were promoting their own chocolate goods, each promising purity, quality and taste unrivaled. Finished candy goods were, for many of these companies, a side line to the real action in wholesale cocoa and chocolate.
Milton Hershey was early to realize the potential for selling eating chocolate on a national scale. He developed his own technique for making milk chocolate and began manufacturing small batches in 1900. Hershey’s chocolate bars were a huge success, and he quickly expanded, moving to an enormous new factory in the town that would come to be known as Hershey, Pennsylvania in 1905. The first full year of manufacture in the new factory, sales of Hershey’s chocolate products topped $1 million; that’s about $24 million in today’s dollars.
By 1907, the year the Kiss was introduced, sales had doubled to $2 million. Even then, Hershey was a major player. But other chocolate houses had their own eating chocolate products. And when Hershey came up with the “Milk-Maid Chocolate Kiss” back in 1907, it wasn’t the only foil-wrapped chocolate bite in town.
Rival chocolate manufacturer H.O. Wilbur and Son had been selling a bite-sized foil-wrapped conical chocolate drop called the “Wilbur Bud” since 1894. You wouldn’t know it today, but back in the 1900s, Wilbur set the standard for those little foil-wrapped chocolates. The candy journal International Confectioner waxed rhapsodic over the beauty and hygiene of Wilbur’s candy in 1914:
Each piece is wrapped separately; they are packed like jewels. A large box of Wilbeurbuds can lie open several days before it is all eaten. … Our little Wilburbuds can’t go stale–each is wrapped in foil.
It was Hershey that was the copy cat.
And Hershey wasn’t the only one. H.O. Wilbur even went to court in 1909 to try to stop the imitators. One of these might have been Rockwood’s Chocolate Dainties, which were sold four for one cent. In their little foil wrapper, they would have been indistinguishable from Wilbur’s Buds or Hershey’s Kisses or any other similar chocolate.
Unwrapped, the Wilbur Bud was quite distinctive; the bottom of the candy was molded into a flower shape and the letters W-I-L-B-U-R embossed in each petal.
In contrast, the Hershey’s Kiss then as now isn’t much to look at. It is just a plain cone, its bottom flat and unadorned. While this perhaps was less lovely to behold, it did mean the Kiss could be manufactured by dropping the chocolate on a flat belt, rather than needing special molds. This would eventually matter quite a lot, but in 1907 the Kiss’s plain-Jane looks would have been a distinct disadvantage.
The decisive moment for the Hershey’s Kiss was 1921, when new manufacturing equipment allowed the foil wrapping to be automated, and also allowed for the inclusion of the “plume” that extends from the top of every Chocolate Kiss. The plume was trademarked in 1924, meaning that no other conical foil wrapped chocolate could use the same technique to stand out.
Wilbur, and many other small American chocolate concerns, eventually fell behind Hershey in the race for market share. Milton Hershey was a generous philanthropist as well as a brilliant business man, and the success of the company in dominating the American chocolate scene is a fascinating story of doing well by doing good. Today, Hershey’s Kisses are a multi-million dollar share of the American candy market. And Wilbur’s Chocolate Buds? You can still buy them by mail-order, or out of a little Wilbur Chocolates storefront in Lititz, Pennsylvania.
So why are Hershey’s Kisses called Kisses, anyway? Read more in my next post, “Why a Kiss is Just a Kiss.”
Image of today’s Wilbur Buds from www.wilburbuds.com
Kisses image: http://www.flickr.com/photos/mtsofan/ / CC BY-NC-SA 2.0
8 comments March 1, 2010
The Inventor of Candy Medicine
Today we honor an unhailed hero of candydom: Dr. Bernard Fantus (1874-1940). He seems an unlikely candidate for the Candy Hall of Fame. He is remembered as the “father of the American Blood Bank,” the first to conceive of collecting and storing a wide variety of blood for surgical and emergency use. But Fantus was a man of many talents and passions, as we shall see.
In the early 1900s, Dr. Fantus was a Professor of Pharmacology and Therapeutics at the University of Illinois, and also a practicing physician at Cook County Hospital. He was bothered by the difficulties that children had with taking their nasty tasting medicines. Why, Dr. Fantus wondered, should medicine taste like medicine? Let’s make it taste like candy. Good candy. So he set himself to the task.
Of course, being a medical man, he knew a lot about drugs, but not much about how to make candy. So he signed up for courses with a local candy maker and learned some candy tricks. Then back to his own laboratory, where he experimented with different drugs and formulations. Sulphur taffy was not a success. His next idea was soft, chocolate covered candies with fondant centers to incorporate the medicine. Alas, his cod-liver oil chocolate creams left a little to be desired. There were other problems with fondant based medicines: fondant was tricky to work with, and dried out if stored too long, making it impractical for druggists to keep on hand.
Finally he hit on the idea of pressed sugar tablets, something akin to today’s American “Smarties.” These were easy to fabricate with a simple hand press and created a base for incorporating some 50 different active drugs. Whether you were bothered by syphilis or malaria, cough or diarrhea, Fantus had a candy tablet to suit. Fantus claimed that his formulations would result in candy tablets that tasted so good that the only problem would be to keep children from overdosing by eating too much at once.
In the early 1900s, most all prescription drugs were compounded locally by the pharmacist himself. So Fantus didn’t think of actually making any of these candy medications to sell. Instead, Fantus published a booklet titled Candy Medication in 1915 in the hopes that his idea would be taken up by doctors and pharmacists elsewhere. In his preface, he explained the benefits that would come from taking up candy in medical practice:
It is the author’s hope that this booklet may be instrumental in robbing childhood of one of its terrors, namely, nasty medicine; that it may lessen the difficulties experienced by nurse and mother in giving medicament to the sick child; and help to make the doctor more popular with the little ones.
Whether other children beyond Fantus’s own practice benefited from his idea is hard to say. But it would be quite some time before a commercial version of “candy medication” became available: children’s chewable aspirin was introduced in 1952.
References: Bernard Fantus, M.D., Candy Medication (1915); Biography of Dr. Bernard Fantus at My Hero Project
2 comments February 24, 2010
Tootsie Roll: Penny Candy That’s Not
Here’s an ad for Tootsie Rolls that ran in February and March 1910:
Chocolate Tootsie Rolls are “a hit with all.” And just whom do we mean by “all”? Let’s see. We have the lady at leisure with a book in one hand and a Tootsie in the other. Or for the working woman, a Tootsie chew at the typewriter. Tootsie is for the sporting types as well, as we see Lady offering a morsel to a burly line backer. At home, Mama might offer a bite to her sweet one. Look, there’s Junior, snacking on a Tootsie on his way home from school. And even Officer Nightstick enjoys his Tootsie. Men and women, young and old, leisured and working, at play, school, home or office: everybody eats Tootsie Rolls.
Tootsie Rolls is up to something interesting in this ad. They are selling a piece of candy at the price of one cent: penny candy. But “penny candy” is cheap, in price and quality, and considered suitable only for children. And the penny candy market is the very bottom. If you want a big piece of the candy pie, you need to sell up.
Stern & Saalberg, the makers of the Chocolate Tootsie Roll, had a couple of ideas. First was the packaging. Whether Tootsie Rolls were the first penny candy to be wrapped in paper is impossible to say. Paper wrapping machines were common by 1908, the year Tootsie Rolls were first marketed, and other candies large and small were sold wrapped. But the wrapper on the Tootsie Roll is distinctive, the shape is distinctive, and the display of all those Rolls lined up in their case is quite eye catching. And while “penny candy” was usually brightly colored to catch the child’s eye, Tootsie Roll was wrapped in more “sophisticated” tones of gold and chocolate brown.
The power of syllogism also came in hand for making the Tootsie Roll stand out in the penny field. The copy on this ad reads: “Retailed at one cent each but no more to be classed with the ordinary run of Penny Goods than a Plate of Ice Cream with a Snowball.” Put on your SAT hats: Snowball is to Ice Cream as Penny Good is to Tootsie Roll. Tootsie Roll comes out way ahead in this game of logic.
It wasn’t long, though, before the obvious solution presented itself. In April 1910, a new ad appeared proclaiming “We HAD to pack them in 5 and 10c. packages–everybody asked us to–so here they are, the neatest style and biggest value ever put into a 5 or 10c package.” :
Of course, that didn’t mean that you were getting a special deal. As you can see in this re-design of the package in 1913, a 5 cent box gives you 5 one cent candies, and likewise for 10 cents. But you do get a nice box to go with it.
Sources: Stern & Saalberg ads for Tootsie Rolls from Confectioners Journal (1910); 1913 packaging illustrated in International Confectioner (1913)
Add comment February 19, 2010
The Great Molasses Flood
New Orleans has had more than its share of sorrow. We all remember Hurricane Katrina. And there were hurricanes and floods before that one. But have you heard about the Great Molasses Flood of 1911?
In 1911, New Orleans was home to the largest molasses storage depot in the world, the Sugar Planters’ Storage and Distributing company. On Spetember 11, something went horribly worng. The tank burst and the city was innundated with brown sticky goo. More than a million gallons of the stuff. Imagine: the streets of New Orleans flowing with a river of slow-moving molasses, up to fifteen feet deep in some spots. A quarter of a mile away, the molasses was reported to be filling the streets to a depth of twelve inches. That’ s a lot of molasses.
The city rescue teams had a time of it; people were trapped in houses, animals were stuck in the gluey stuff, and the going was sticky. No body died, but it was an awful mess to clean up. It didn’t help matters when two great water mains broke, making the streets flow even more with molasses soup. And then the flies showed up.
Those who managed to find high ground found a way to make a bad situation a bit better. They filled their jugs and buckets and spent the next few months living high on the syrup.
Source: “Molasses Floods City,” New York Tribune 12 Sept. 1911
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Add comment February 10, 2010



